Cancionero de rock nacional para guitarra pdf
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By the time Pescado 2 was released in March 1973, the band had already split up. The project experienced various line-up changes (a characteristic of almost every local rock band during that time) and released two studio albums- Desatormentándonos (1972) and Pescado 2 (1973)- before disbanding. Spinetta himself referred to it as his " punk moment". The short-lived Pescado Rabioso was a conscious shift from Spinetta's previous acoustic and melodic music, favoring a more violent, "electric, raw and powerful style" influenced by his new friendships within the "heavier" rock scene of Buenos Aires, which included acts such as Pappo's Blues, Manal and Tanguito. Edelmiro Molinari formed Color Humano, Rodolfo García and Edelmiro Molinari created Aquelarre, and Luis Alberto Spinetta put together Pescado Rabioso along with drummer Black Amaya and bass guitarist Osvaldo Frascino. From left to right: Luis Alberto Spinetta, David Lebón, Black Amaya and Carlos Cutaia.Īfter the 1970 dissolution of Almendra-a foundational band of the burgeouing Argentine rock movement along with Manal and Los Gatos-three new groups emerged as its former members sought to create new projects. Last formation of Pescado Rabioso, circa 1973.
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It has been selected as the greatest album in the history of Argentine rock on several occasions, most notably Rolling Stone Argentina 's The 100 Greatest Albums of National Rock in 2007. It is considered Spinetta's masterpiece and one of the most influential albums in Spanish-language rock music. Each audience member received a copy of Spinetta's manifesto Rock: Música dura, la suicidada por la sociedad, in which he presented his vision of the countercultural Argentine rock movement.
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Spinetta presented Artaud with two morning shows at the Teatro Astral on Avenida Corrientes, accompanied only by his acoustic guitar.
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The album's original packaging is famous for its odd shape, which the record label initially resisted. The album is named after and dedicated to French poet Antonin Artaud, and was conceived as a reaction to his writings. It is essentially the second solo album by singer-songwriter Luis Alberto Spinetta, who used the group's name despite their disbandment earlier that year. "Todas las hojas son del viento / Superchería"Īrtaud ( French: commonly pronounced by hispanophones) is a studio album credited to Argentine rock band Pescado Rabioso, released in October 1973 on Talent-Microfón.
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